Another one in the series...Fall Landscape painting in West Virginia.

5" x 8" on 140 lb moleskin sketchbook paper. 

Moving away from what is literal is a hard transition to make when one has only ever thought about how to be specific. Here, I am not trying to be specific at all, rather, to allow the colors and the landscape forms to blend as one.

Fall Landscape.

Watercolor 5" x 8".

This is another part of my series.

15" wide x 30" high

Watercolor on 300 lb cold press paper

Emerging Landscape

5" x 8" watercolor landscape.

5" x 8" watercolor in my moleskin sketchbook.

The color is not right in the photo for some reason. 

More to come.

5" x 8" watercolor. 

moleskin sketchbook series

Landscape Meditation.

5" x 8" watercolor in Moleskin sketchbook.

For me, the trees seems to emerge from the abstract nature of the background. This is a quality I am now following in my work. This is becoming a series of paintings that may turn into a small published book. Certainly they are driving the weaving pieces I am doing (I am also a weaver of large scale wall hangings that are hand painted).  More to come!

Landscape #2. White Marsh. 

Silent and distant are the waters of the deep ocean. When I am at the ocean, beach, I get lost in time listening to the waves move their magic at the land's edge.

5" x 8" watercolor in my Moleskin sketchbook.